A Real Discovery: 4 or 5 of these make amazing reading
Rating:
5 / 5
This is an impressive collection of early and now scarce Noir novels. "The Big Clock" and "Nightmare Alley" are particularly hard to find outside of this volume.
Cain's "The Postman Always Rings Twice" was probably the first crime novel I ever really got into, and it's a stunning departure from Agatha Christie-style mysteries. So much happens in this short book (as turns of plot, but also development of character) that it compares favorably to the first half Camus' "The Stranger." The drifter plumbs the depths of his desperation in a brutal attachment to another man's wife: it's not greed or lust that drives him, but a base need for someone to whom he can anchor himself. A raw and amazing experience, unmatched by anything else of Cain's.
McCoy's "They Shoot Horses, Don't They?" is impressively vivid. I had no idea these dance-hall marathons took place before reading this story. This circus of exploitation of young and apparently desperate people certainly makes for excellent Noir. One of these benefits of reading these novels is the unearthing of buried episodes in America's past.
"Thieves Like Us" has been reviewed here as the weaker end of the collection, and I have to agree. It's still a very capable story of outlaws; and the stoicism of the young people caught up in the criminal's lives is admirably depicted here. I recommend reading Andersen's novel before the others (it's still definitive Noir), so one can more easily avoid expectations built up by the Cain and McCoy.
"The Big Clock" is interesting in the depiction of power relationships between employer and employee, and the shifting first-person style of telling the story works here. I never heard of Fearing before reading this novel, but he evidently had a deep understanding of the motivations of very different kinds of people. This novel has the most suspense of the collection, and is a great and sophisticated read.
The most surprising and bizzare novel is "Nightmare Alley," a strange and memorable journey of an aspiring carnival charlatan. It defines Sleaze. The longest and most complex novel, it feels like a long-lost classic that's been hidden away because of its disturbing content. Some may think of it as too long, but the twisting journey through sweaty farming towns, railroad stations and addled big-city martiarchs required time to establish some crediblity: by the end, I was convinced that such a grotesque collection of stunts actually belonged in the story of this country. "Nightmare Alley" alone is worth the price of the book. Fans of Tarot might be a little offended, but this is especially recommended for understanding fans of Ray Bradbury.
Finally, "I Married a Dead Man" by Woolrich is a suspense novel set up by a tragic accident. The protagonist, literally and figuratively hungry, siezes the opportunity to substitute herself into a more fortunate woman's life. Excellently done, and more grounded in comparison to "Nightmare Alley."
Overall, there's no legitimately weak entry in this collection. The variety of content in these novels is enormous, and acquiring this book will allow the reader to experience the different flavors of American Noir. Most modern crime/suspense movies will seem ridiculous by comparison.
Indispensible! Thanks to the LOA.
Rating:
5 / 5
What a feast! All here are worth reading, and the Library of America deserves high praise for publishing this and its companion volume of Crime Novels. These two volumes-- especially this one, in my opinion-- belong next to the LOA's fine editions of America's "classic" authors. The fiction contained here is some of the best of the 20th Century, and deserves the star treatment it gets here. "Nightmare Alley" still impresses and revolts, and is a neglected masterpiece. Pick this up!
Hard Boiled As High Brow Lit?
Rating:
5 / 5
It's welcome recognition of the rich body of American noir writing that the Library of America has decided to gather these novels and include them in it's collection. This volume, along with it's companion, "Crime Novels: American Noir of the '50s", is perhaps the definitive collection of this genre. While this volume is not as strong as the second volume collecting hard boiled writing from the '50s, it more than makes up for it with the inclusion of two seminal novels from the genre: "The Postman Always Rings Twice" and "They Shoot Horses Don't They?" The themes that would be later expanded on by Jim Thompson, Charles Willeford, et al. are here: the uncertainty of reality, the indifference of fate, the allegories on the disfunction of mercantilist capitalism, the femme fatale as deus ex machina, the erosion of moral standards...themes that are that much more relevant today.It's comforting in a way that these novels, which were considered (and still considered by some) as trash, disposable items of consumption, are collected along with the novels of Melville, James and Hawthorne...."elevated" to high brow lit. Perhaps the original authors of these masterworks would disagree on the modern critical re-assessment, but to readers like myself, it's just confirmation of something we've known ever since we first discovered them.
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